Author: Torchlight Team

<strong>School-<i>wali</i> </strong><i>Library</i>
Chiaroscuro, Issue 12 – February 2020

School-wali Library

Reflecting on the theme for this edition, Libraries and Schools, the Torchlight editorial team felt that the act of listening (really listening) to the voices of primary users of the school library - its students - is a valuable part of library work. Now, we are delighted to share the experience of listening with you, through this audio piece which details the experiences of students from a government school in Delhi. The piece presents a range of reflections, responses and meanderings from interviews with students from classes 3 to 8, about their relationship with their school library and with library books. So settle into your seat and get your tiffin-box (and headphones) out, as you hear what Anisha, Yogit, Naved, Shivam, Sameer, Mayank, and Anshul have to say.   Interviews b...
<strong>Mad, Bad and Wicked: </strong><i>Censorship in School Libraries and its Subversion</i>
Chiaroscuro, Issue 12 – February 2020

Mad, Bad and Wicked: Censorship in School Libraries and its Subversion

It is a truth universally acknowledged that a single school in possession of a library must censor its collection. Or so we suspected. Schools are inevitably ideologically charged institutions that represent precise social and historical concerns of their times, and function with their own frameworks of disciplining/ shaping the cultural understanding of their students. It follows that certain texts would be considered inflammatory, unsuitable, or too dangerous for students (children) to read... texts that could turn them mad, bad or wicked! Along with the educators and administrators of these educational institutions, parents, peers, and even children themselves may participate in the act of censorship. It also follows that young readers would be keen to access forbidden texts and and f...
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Issue 10 – July 2019, Issue 11 – October 2019, Issue 12 – February 2020, Issue 2 - June 2017, Issue 3 - September 2017, Issue 4 – January 2018, Issue 5 – April 2018, Issue 6 – July 2018, Issue 7 – October 2018, Issue 8 – January 2019, Issue 9 – April 2019

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Call for Contributions to Torchlight Issue 13, April 2020: Libraries, Reading and Resistance The year 2020 is seeing catastrophes unfold across the world- with violent political instability, economic collapse, and unprecedented environmental crises unfolding everywhere, while a new-media driven frenzy of dystopian narratives are shaping public discourse. Yet history has shown us- as much as contemporary times are doing- that libraries, books, and communities of story-tellers and story-keepers everywhere, have persisted in the face of dire odds to preserve alternative narratives – of solidarity, hopefulness, critical thought, emotional fulfilment - and resisted oppression in myriad ways. In this context, Torchlight: A Journal of Libraries and Bookish Love invites your contributions for ...
<i>Preface to Issue 11: </i><strong>Libraries in Film and Literature</strong>
Issue 11 – October 2019

Preface to Issue 11: Libraries in Film and Literature

We set out to explore Libraries (and Bookish Love) in Film and Literature with our 11th Issue. Our Torchlight Spotlight shines on an essay by Dr Maxine Berntsen that provokes us to think about the privilege of learning to read, the responsibility of asking questions around what we read and about relationships. The act of reading is artfully picked up and strengthened by Saumyananda Sahi in ‘Travels with an open book on my lap’ which transports us into film and text plots around reading where the language is understood as ‘a form of life’. At this Spotlight, we also read Venita Coelho who straddles both forms by writing novels as well as scripts and what this line stepping means to her creative self that adds to bookish love. In Chiaroscuro, we welcome Jaya Modi a young designer who respon...
<i>Whose</i> <strong>Land?</strong> <i>Whose</i> <strong>Rain?</strong> <i>Whose</i> <strong>Voice?</strong>
Issue 10 – July 2019, Spotlight

Whose Land? Whose Rain? Whose Voice?

The Earth is not just for humans.Everything on the Earth has stories. Our literature represents our time on Earth. So when someone says, ‘our time will come’, it means their stories will be heard. How can we have ‘stories from the margins’ if we gaze from within the margins? Whose land? Whose rain? Whose voice? इस बारिश में / नरेश सक्सेना जिसके पास चली गयी मेरी ज़मीन उसी के पास अब मेरी बारिश भी चली गयी अब जो घिरती हैं काली घटाएं उसी के लिए घिरती है कूकती हैं कोयलें उसी के लिए उसी के लिए उठती है धरती के सीने से सोंधी सुगंध अब नहीं मेरे लिए हल नही बैल नही खेतों की गैल नहीं एक हरी बूँद नहीं तोते नहीं, ताल नहीं, नदी नहीं, आर्द्रा नक्षत्र नहीं, कजरी मल्हाहर नहीं मेरे लिए जिसकी नहीं कोई ज़मीन उसका नहीं कोई आसमान। These reflections and images are based on and woven around, an interview...
<strong>Bookshelf Travels:</strong><i> Borrowed Books in Personal Libraries </i>
Chiaroscuro, Issue 8 – January 2019

Bookshelf Travels: Borrowed Books in Personal Libraries

Lovleen Misra जिस के पन्ने क़ैद न करें उसे क्या चुराना जो दिमाग संग दिल पे न छाए उसे क्या चुराना जो आपकी हमबिस्तर न बन सके उसे क्या चुराना जो किताबी हवस न जगाये उसे क्या चुराना जिसे लौटाने का मन चाहे उसे क्या चुराना. जो अपने घर पे अपनी न लगे उसे क्या चुराना   जनाब, किताब तेरी या मेरी नहीं पढने वाली की होती है.   Translation Why steal something Whose pages fail to entrap you Why steal something That does not overwhelm the stone-heart Why steal something That cannot share your bed Why steal something That does not provoke a bookish lust Why steal something That you want to return Why steal something That does not feel at home in your home Janab, a book is not mine or yours It belongs to the reader Roxanna Khan I borrowed this book circa 2013 from a close ...