Chiaroscuro

<strong>Lost and Found in Adaptation</strong><br /><i>Of bookish love and film</i>
Chiaroscuro, Issue 11 – October 2019

Lost and Found in Adaptation
Of bookish love and film

Being of a generation that found joy, release, longing, belonging and mercy in books, I sniff around this subject warily, fully aware of my bias for story on the written page. Oral storytelling comes close, but hits different spots. We hold on to books for dear life, not just to the stories within but to their form, as familiar and different as a lover on different days—the smell of the spine, sometimes calling up a darkened room with its knot of anticipation, othertimes a whiff of peeling teflon; and always, the weightlessness of the pages, crackling with possibility or clammy with rains past, begging to disengage and disgorge. Despite that bias, plus a too-slim repertoire of films watched, especially adaptations, I am intrigued by the subject Torchlight has put before me:  bookish love ...
<i>Some images of</i><strong> shame and pride</strong> <i>around</i><strong> literacy and illiteracy</strong>
Chiaroscuro, Issue 11 – October 2019

Some images of shame and pride around literacy and illiteracy

Illustration: Alia Sinha “You ask yourself, have I got a name if I can’t write it? Am I a human being if I can’t read it? You turn to stone ...” Stanley has just lost his job once again on account of being unable to read or write and here he is confiding in Iris, a feisty and fiercely independent working woman who later helps him to learn to read.  Stanley and Iris is a Hollywood adaptation (or re-scripting) of Pat Barker’s unsentimental book called Union Street which is about the resilient lives of working class women in the 1950s in England. The film has a very different tone and focus from the book by making the main plot about Stanley becoming literate. It reinforces certain stereotypes that are associated with illiteracy and the magical transformation that is apparently brought about...
<i>On the Same </i><strong>Page</strong>
Chiaroscuro, Issue 11 – October 2019

On the Same Page

An Unfettered Right Being able to criss-cross the globe on the strength of the Internet has made it possible to engage with creative ideas, conversations, and experiences which otherwise would be beyond our reach—and at times, even beyond our imagination.  On The Same Page will bring to the reader of Torchlight, a combination of textual-audio-visual curated content, about and around libraries and bookish love.  Every day, over the last couple of months, I have been dipping into a love-letter. A Velocity of Being edited by Maria Popova and Claudia Bedrick is a captivating compilation of 121 letters to inspire “young readers” but as any reader knows, age has nothing to do with being in love with books. The letters are warm, witty, wondrous, and will stoke the embers of reading for those wh...
<strong>Meanings; Nothing and Everything </strong><br /><i>Imagining Borges' Library of Babel</i>
Chiaroscuro, Issue 11 – October 2019

Meanings; Nothing and Everything
Imagining Borges' Library of Babel

Libraries have always appeared to me as fantastical places, imbued with limitless possibility, harbouring the prospect of unimaginably exciting journeys through space and time. I could lose myself for hours in a library, encountering vivid characters, following their wild lives, tracing ideas, concepts, and stumbling into places brought to life by the words of writers, poets, thinkers - all of which would leave lasting impressions on my and my imagination. As I’ve grown, I have learnt to appreciate the ways in which the library - in form and function - has changed, evolving as we have evolved, incorporating new needs and requirements, weighing the value of community, shared stories and experiences. This resonates with me at an incredibly intimate level - this beautiful act of constant expa...
<i>Preface to TL10:</i> <strong>Libraries and Diversity</strong>
Chiaroscuro, Issue 10 – July 2019

Preface to TL10: Libraries and Diversity

Chimamanda Ngozi Adichie shares that the stories she wrote in her childhood were exactly the stories she was reading. Her characters were foreign,“ books by their very nature had to have foreigners in them and had to be about things with which I could not personally identify.” Literature offers a space from which children construct and ascribe meaning to others and themselves. It is then perhaps the foremost place of inquiry to look into how issues of diversity are taken up - Whose story does it tell? Who is this story written for? Who is not included? Whose perspective counts? These are questions that 17 year old Anokhi Mehra raises in India On My Bookshelf as she journeys through the Indian literary landscape to discover literature from her country- reading one book from each state to un...
<strong>Diverse Questions</strong> <i>around</i> <strong>Diversity</strong>
Chiaroscuro, Issue 10 – July 2019

Diverse Questions around Diversity

Illustration by Rhea de Souza The squawking - whirring of my 2007 modem indicated I was connected to the World Wide Web. Those days still fresh in my memory despite the cataclysmic advancement of technology playing out vividly as I try and recall my first sighting of Ismat’s Eid (Fawzia Gilani Williams; Proiti Roy -Illustrator)- a picture book that showed up on a favourite bookmarked site, www.tulikabooks.in. I immediately put it on my task list to order, drawn to the book for two reasons. First, I have been drawn to the marginal, enough to explore the cultural history of our homeland to recognise that we had Islamic influences for years before the Portuguese. Enough to want to identify with that cultural past and give my sons Arabic names. Sufficient to warrant active looking for pictu...
<i>A</i> <strong>Library</strong> <i>for a </i><strong>Home</strong>
Chiaroscuro, Issue 10 – July 2019

A Library for a Home

As soon as children enter the make-shift library, they begin to jump up and down with joy chanting "Bookwalli didi aayi! Bookwalli didi aayi!" (The lady with the books is here!). Right from the doorway they begin to crane their necks to spot their favourite books, trying to get to them before another child can beat them to it. This is a commonplace scene in a children's home in Mumbai. Children as young as 5 live in this home because they have been orphaned, abused, abandoned or have experienced other kinds of trauma or exploitation.  When families are unable or unfit to care for children, as ascertained by the Child Welfare Committee (a government body), children are declared as ‘Children in Need of Care and Protection’ and are sent to children’s homes. According to a September 2018 repo...
<i>On the </i><strong>Same Page</strong>
Chiaroscuro, Issue 10 – July 2019

On the Same Page

Being able to criss-cross the globe on the strength of the Internet has made it possible to engage with creative ideas, conversations, and experiences which otherwise would be beyond our reach—and at times, even beyond our imagination.  On The Same Page will bring to the reader of Torchlight, a combination of textual-audio-visual curated content, about and around libraries and bookish love.  The proliferation of digitally mediated spaces in the last few years has been accompanied by mass leveraging of social media for activism. This ‘digital activism’ uses social media to challenge and resist dominant narratives, creating affinity spaces oriented towards a common goal. Virtual conversations transcend geographical boundaries to move across locations creating powerful global movements, impa...
<i>The Agents of Ishq </i><strong>Queer Reading List</strong>
Chiaroscuro, Issue 10 – July 2019

The Agents of Ishq Queer Reading List

Books are windows into experiences and as cultural conversations around gender identity and sexual orientation expand and multiply, they offer us lives and worlds to unpack the meaning of diversity. The fact that stultifying notions of what we can be and whom we can love are being increasingly challenged is a cause for celebration. However, this comes with a wide spectrum of responses, from bigotry and hate to confusion and anxiety. True to our philosophy here at Torchlight, we look to the bookshelf to deal with that. Happily, there is a rich and growing storehouse for those who ask questions for the purpose of educating themselves and others, those who seek resonance of their own lives or those who simply want their reading to encompass the world in all its diversity. So, as part of our t...
<strong>100 Diverse Books </strong><i>to make a Collection</i>
Chiaroscuro, Issue 10 – July 2019

100 Diverse Books to make a Collection

A library's collection is its heart and soul, the very foundation on which a library is built. It acts as a conduit for its community to learn about the world, see themselves reflected in it, contribute to a definition of themselves and engage with varied perspectives. The collection allows us to dream, to imagine, to enter worlds without going far. A library resides in its collection and so, we felt it was important to share a slice of our diverse collection with you. Why diverse? We live in a society that is diverse in every aspect, from language, religion, ethnicity, sexuality to beliefs, experiences and opinions. A library collection needs to reflect this diversity, in order for it to truly open up stories and lives from different lenses, realities and viewpoints. A diverse collectio...
<i>Making Friendship with </i><strong>Feminist Books</strong>
Chiaroscuro, Issue 10 – July 2019

Making Friendship with Feminist Books

As a young teen and adult, my relationship with books was almost sexual. There was an endless search – for something, not quite sure what. In pre-liberalisation India, in a pre-internet world, the search for a name for my feelings, the search for a rendition of those feelings was urgent and amorphous. At New Book Land, the circular bookshop in Janpath, I remember buying for ten rupees a book of short stories by an Egyptian writer, Ahdaf Soueif, and feeling thrilled by what I read. In the British Council library I borrowed two books, because one’s cover entranced me, full of fairy tale circus images, and the other’s name delighted me – Sexing The Cherry and Oranges Are Not The Only Fruit. Walking on the street in New York, I bought for one dollar a copy of Bell Hooks’ Black Looks. I had no...
<strong>India</strong> <i>On My </i><strong>Book Shelf </strong>
Chiaroscuro, Issue 10 – July 2019

India On My Book Shelf

My bookshelf has looked the same for as long as I can remember. It goes from the floor up to the ceiling and is daffodil yellow in colour. It has been in my room since I started reading at the age of four. While books have been discarded and replaced over the years, the bookshelf has never been empty. The Magic Faraway Tree was a gift for my sixth birthday. One of our two copies of the Lord of the Rings made its way to my bookshelf soon after. Over the next year, my dad began reading a few pages out loud to me every night before I went to bed. Every so often, we could be heard pompously reciting, “In the land of Mordor, where the shadows lie,” in gleeful unison. We eventually memorised the entire poem. I even wrote the clichéd “all that is gold does not glitter” poem on handmade ‘golden’ ...
<i>Preface: In and Out of the</i> <strong>Library</strong>
Chiaroscuro, Issue 9 – April 2019

Preface: In and Out of the Library

In Space and Place: The Perspective of Experience (1977), the geographer Yi-Fu Tuan calls place a ‘concretion of value’. By that measure, a good library is clearly and intensely a place. Like all ‘real’ places, it is more significant every day as physical space dissolves into the virtual with the increasing speed of bytes and vehicles. But is the space of the ‘real’ library what it appears to be? This issue of Torchlight explores the question from various perspectives, and across diverse locations and forms of enquiry. We read the library’s immovability in Kiran Vaghela’s Gujarati prose-poem inspired by the haibun form, as a valued guarantee of its continuity in time (‘…it is still there’). As a counterpoint, Alia Sinha’s graphic meditation in the ‘Readerly Problem’ floats on the hope tha...
<strong>ગ્રંથાલય </strong>
Chiaroscuro, Issue 9 – April 2019

ગ્રંથાલય

Illustration by Priya Kuriyan ગ્રંથાલય ઘણા સ્મરણો એવા હોય છે જે તમારી જિંદગીમાં ગૂંથાઈ જઈ ભાગ બની જાય છે જિંદગી નો અને અવિરત પણે વિસ્તર્યાં કરે છે જિંદગીભર 1968 -69 ના વર્ષ માં અમે લોકો ભુજ આવ્યા ગંગાબાઈ મિડલ સ્કૂલ ના પ્રાંગણ માં જિલ્લા ગ્રંથાલય હતું- અને આજે પણછે તેના લાંબા પગથિયાં મને શાળા ના પહેલા દિવસ થી આકર્ષ્યા કરતા હતા તેનો બાળ વિભાગ મારી પ્રિય  જગ્યા બની ગઈ અને કુમાર  મેગેઝીન કે જેના સ્થાપક કલા ગુરુ  રવિ શંકર રાવલ હતા તેને મારા માનસ પર બરાબરની  પક્કડ જમાવી ત્રીજા ચોથા ધોરણ ની મારી ઉમર માં કલા  સ્થાપત્ય આકાશ દર્શન ના લેખો એ મારા જીવન ઘડતર માં મહત્વ નો ફાળો ભજવ્યો વાંચન નું બીજ આવી રીતે વવાયું અને આજે પણ પાંગર્યા કરેછે વૃક્ષ ની જેમ મારા અંદર   શહેરની વચ્ચો વચ  રહેલો  શાંત અને  મુંગો અવકાશ બચપણ થી મારા અંદર વિસ્તર્યાં કરેછે  . આજે  પણ  તેમની શાંત આંખો માં આંખો પરોવી તેની  મ...
<strong>More than a library</strong><i>, by design</i>
Chiaroscuro, Issue 9 – April 2019

More than a library, by design

In a rapidly changing world that is redefining notions of the public and the private, the virtual and the real, information is now a technology that manifests right on one’s personal laptop! In such a scenario, do libraries as physical spaces still have a role to play as important public commons? We posed this question to ourselves when asked to design ‘Sundarayya Vignana Kendra’ an institutional-scaled library complex in Hyderabad’s Gachi Bowli area. While outlining the design programme for SVK, we looked at a library not just as a repository of information but also as the only public space that allows for quiet contemplation. In the physical access to knowledge that it provides, by contrast with the hidden retrieval structures of digital information, a library symbolically embodies ano...
<i>On the Same </i><strong>Page</strong>
Chiaroscuro, Issue 9 – April 2019

On the Same Page

THINKING OUT OF THE BOX Being able to criss-cross the globe on the strength of the Internet has made it possible to engage with creative ideas, conversations, and experiences which otherwise would be beyond our reach—and at times, even beyond our imagination.  On The Same Page will bring to the reader of Torchlight, a combination of textual-audio-visual curated content, about and around libraries and bookish love.   During my first years of schooling, my idea of what libraries looked like was as constant as the four-walled spaces that housed them. I knew where to go and be sure that I would find them in the same place, day after day, week after week.  Between Mondays and Fridays it was the 3-room library in my school and on weekends it was the neighbour’s curiously charming home li...
Chiaroscuro, Issue 9 – April 2019

The Group’s Study

If you had not seen the board proclaiming it as an institute of technology, you would have been right in mistaking it to be a chawl. It was a cement-coloured E-shaped building looming at the edge of a slum. Along each of its six floors ran a contiguous lobby providing access to every layer of classroom stacked on top of each other. As you measured the chawl-comparison for suitability, a look at the intense security at the gate, restricted movement of teenagers inside the premises, and the general vibe of anxiety would conjure a more apt visual cue. A Jail!! It was called that even by the strictest parent of many an engineering student schooled within it. This was twenty years ago. It has got to be different now. It is hard to imagine parents with millennial aesthetics sending their childre...
<i>No time, no space, but yes, </i><strong>a library</strong><i>: An Odisha story</i>
Chiaroscuro, Issue 9 – April 2019

No time, no space, but yes, a library: An Odisha story

Colorful books about animals, birds, plants and ‘moral’ tales hung from a rope tied to the wall of the classroom. ‘Didi’ (the teacher) took out a book and told her children to pick their desired books. It was library period and children knew it was ‘their time with books.’ They went up to the rope and picked out the ones they liked, and sat back on the floor to read. When the teacher had first entered the class, the children had been seated in their usual neat rows. But soon as they returned with their chosen books and got down to reading them, there was no place to put a foot down. Children were scattered in the room, some were reading individually while some chose to share and read. They sat in the corners of the room, side by side, back to back, encircled - each child with his or her ow...